Marc Astafan
Marc Astafan taught in NEC's opera studies program from 1995 to 2008. In addition to leading classroom studies in stage technique, acting, scene study, and audition techniques, he directed opera scenes and many of NEC's opera productions. Formerly an actor, singer, and dancer, Astafan has also been a member of the directing staff at the Metropolitan Opera in New York where he has worked on productions of Tosca, Parade, Madama Butterfly, Eugene Onegin, Die Zauberflote, Manon, and Samson et Dalila. He has worked extensively with young opera artists teaching masterclasses and directing productions of L'enfant et les Sortileges at Tanglewood, Le Nozze di Figaro at the Bay View Music Festival, Tosca, The Face on the Barroom Floor, and The Seven Deadly Sins at Central City Opera, I Capuleti e i Montecchi and Cosi Fan Tutte with the Pittsburgh Opera Center and scenes programs at the Music Academy of the West, Chautauqua Opera and the Santa Fe Opera. Other regional directing credits include Il Trovatore at Nevada Opera, La Boheme at Opera Illinois, La Traviata at Opera Theatre of Philadelphia, Rigoletto at the Opera Company of El Paso, Candide at the Florida State Opera, and Die Zauberflote with the Eugene Opera and Opera Orchestra of New York at the Temple of Dendur in the Metropolitan Museum of Art. At New England Conservatory, productions directed by Astafan included the world premiere of Robert Ceeley's The Automobile Graveyard in 1995, and George Whitefield Chadwick's The Padrone in 1997. Astafan's students have gone on to win major awards and competitions, sing with prominent opera companies in the U.S. and Europe, and perform on Broadway and television. Related links: |