Quincy Porter
Biographical Sketch | Scope | Provenance | Access & Copyright | Container List
Physical description: four volumes contained in two drop front boxes
.
Biographical Sketch: Born in New Haven, Conn in 1897, Quincy Porter’s interest in music as a child was stimulated by Horatio Parker’s encouragement. Porter was later Parker’s pupil at the Yale School of Music, where he won the Osborne prize for fugue, and also the Steinert prize for the best orchestral composition written for graduation (a concerto for violin which he himself performed). He earned his A.B. from Yale College and Mus. B from the Music School the same year
Porter spent the following year in Paris following the courses of d’Indy at the Schola Cantorum and studying violin with Capet. Returning to New York, Porter studied composition with Ernest Bloch, violin with Herbert Dittler, and played in the Capitol Theater Orchestra.
Porter followed Bloch to Cleveland the following year and was soon made a member of the faculty of the Cleveland Institute of Music, where he taught theory, history, and solfege, heading the theory and composition department for three years after Bloch’s departure. During this period he played viola for six years in the de Ribaupierre Quartet. Also while at Cleveland, Porter composed two string quartets, a piano quartet, and his Ukrainian Suite for stringed orchestra which was performed at the first Festival of American Music at the Eastman School.
Porter spent three years in Paris, two of which were on a Guggenheim Fellowship, writing a number of chamber works, including two more quartets, his Second Sonata for Violin and Piano, a piano sonata, and his Suite for Viola Alone which he later recorded for New Music Recordings.
After returning to Cleveland for a year, playing with the Maurice Hewitt quartet (along with his wife, Lois), Porter joined the faculty of Vassar College, where he taught for six years. While at Vassar, he wrote incidental music for the performances of Antony and Cleopatra and Sweeney Agonistes for the college’s experimental theater, his First Symphony, and two more string quartets (one of them commissioned by the League of Composers). Among the quartets that played his music are: Roth, Coolidge, Musical Art, Stradivarius, Pro Arte, Cleveland, and the Gordon, which recorded his third quartet for Columbia.
In addition to his symphony, Porter composed several orchestral works including: Poem and Dance, written for the summer concerts by the Cleveland Orchestra; Dance in Three Time, commissioned by the St. Louis Little Symphony; Two Dances for Radio, commissioned by Columbian Broadcasting Company; and Music for Strings, written for Music Press. Porter was awarded the Pulitzer Prize in 1954 for his Concerto for Two Pianos.
In addition, Porter held positions of leadership in many musical organizations including the International Society for Contemporary Music, the League of Composers, the American Music Center, Yaddo, NASM, and MTNA.
Porter came to New England Conservatory in 1938 to succeed Frederick S. Converse as Dean of the Faculty. In 1942, he was appointed Director of the New England Conservatory, a position which he held until 1946. In 1946, Porter was named to the faculty of Yale University, where he would remain until his retirement in 1965. Porter died on November 12, 1966 in Bethany, Connecticut.
Source: Excerpted from the New England Conservatory Bulletin, Volume XX Number 1 ( December 1942), pp. 5-6.
Scope and Content Note: This collection consists of photo-reproductions of four scrapbooks dating from Quincy Porter’s time at NEC, first as a faculty member, then as Director. Most of the materials contained in the scrapbooks date from the years 1937-1946. The scrapbooks are numbered according to their numbering in the original collection at Yale:
Scrapbook 7
Scrapbook 8
Scrapbook 9
Scrapbook 10
The indices of these scrapbooks are organized into these categories:
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Concert programs: Quincy Porter compositions; Quincy Porter conducting; Quincy Porter performing; Lois Porter performing; Porter/Porter performances
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Reviews/citations in an article: Porter compositions; Porter conducting; Porter performing; Lois Porter performing; Porter/Porter performing.
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Correspondence
-
Newspaper articles about/mentioning Porter; Lois Porter
-
Miscellaneous materials relating to Porter
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Other
For further information pertaining to this collection, see: http://webtext.library.yale.edu/xml2html/music/qp-d.htm
Provenance: The original scrapbooks, from which these scrapbooks are reproduced, belong to the collection MSS 15, The Quincy Porter Papers, held in the Irving S. Gilmore Music Library at Yale University. The photocopies were donated to the NEC Archives by Ken Crilly from the Gilmore Music Library in June 2006.
Access: Access to the Quincy Porter Collection is granted by the Archivist or Director of Libraries. Appointments must be scheduled in advance. There are no restrictions pertaining to this collection.
Copyright: All copyrights to materials in these scrapbooks belong to Yale University. Permission to publish must be requested through the Irving S. Gilmore Music Library at Yale.
Container List:
Box 1: Scrapbooks 7 and 8
Box 2: Scrapbooks 9 and 10
Indices:
Scrapbook 7: New England Conservatory (mostly) 1937-1940
Concert Programs - Porter Compositions |
Page Number(s) |
| |
|
Blues Lointains |
pp.143-145 |
Dance in Three-Time |
pp.116-120, 228-231 |
Incidental Music to "Anthony and Cleopatra" |
pp.123, 124-127, 216, 311-313 |
Nursery Songs: Mother Goose Lyrics |
p. 216 |
Piano Sonata |
pp. 19,122 |
Poem and Dance |
pp.15-18, 34-39(NEC), 60 (Broadcast), 100, 103 (of 97-108), 110, 168-177, 183-184, 253-263, 282-287 |
Quartet No. 5 |
pp.30-33 (Radio Broadcast), 234, 270 |
Quintet for Flute and Strings |
pp. 200-209 |
Second Sonata for Violin and Piano |
pp.131, 178-181, 216,.218-219, 221, 224 |
Sonata for Violin and Piano |
p.23, 239 |
'Songs' |
pp.41-42,20-251 |
String Quartet No. 3 |
pp. 9-12, p. 30-33 (radio broadcasts), 96, 137, 149, 190-191, 276-278(signed by Maurice Hewitt), 297, 305 |
String Quartet no. 4 |
pp. 14, 129, 269 |
String Quartet no. 6 |
pp. 54 of 44-57, 139-141, 159, 235-238, 306-308, 310 |
Suite for Viola Alone |
pp. 19, 63-67, 121, 143-145, 299 |
Suite in E major for violin, viola, flute |
p. 216 |
Symphony no. 1 |
p. 59 |
Two Dances for Radio |
p. 59 |
Ukrainian Suite |
pp.60-62, 78, 147, 150, 265-266, 267-268, 288-290 |
Concert Program - Porter Conducting |
|
| |
|
NEC Conservatory Orchestra |
pp.34-39, 152-157, 168-177, 282-287, 291-296, 305 |
New Haven Symphony Orchestra |
pp. 97-108, 110, 253-263 |
Pops - NEC Night |
pp.183-184 |
NEC Opera School (Orfeo) |
p.225 |
NEC - Chamber Orchestra |
pp.228-231 |
Concert Programs - Quincy Porter performances |
|
| |
|
With the Stradivarius Quartet |
pp.139-142, 306-308 |
Kappa Gamma Psi Concerts |
pp. 143-145, 151, 309 |
Concert Programs – Lois Porter performances |
|
| |
|
Concerts for the Harpsichord, Hautboy and Violins, Ballroom of the Governor’s Palace, Williamsburg, Virginia; With Ralph Kirkpatrick (Program) |
pp.4-8 |
Yaddo Music Group - Four Concerts |
pp.200-209 |
Concert Programs – Porter/Porter performances |
pp.132-136, 300-304 |
Reviews- Porter Compositions |
|
| |
|
Dance in Three-Time |
pp. 25, 112, 113, 114-115, 226, 232, 233 |
In Monasterio |
p.23 |
Incidental music to Anthony and Cleopatra |
p.128 |
Petit Trio |
p. 3 |
Poem and Dance |
pp. 28, 40, 43, 58, 109, 111, 128, 167, 184, 273, 297 |
Quintet for clarinet and strings |
p. 3 |
Sixth Quartet |
pp.160, 161, 163, 165, 166 |
Sonata for piano |
p. 3 |
Sonata for violin and piano |
pp. 3, 247 |
String Quartet no. 3 |
pp. 3, 13, 20, 137, 227 |
String Quartet no. 4 |
pp.130, 269 |
String Quartet no. 6 |
p. 141 |
Suite for viola alone |
pp. 3, 27 |
Ukrainian Suite |
pp.21, 22, 147 |
Reviews- Porter Conduct |
|
| |
|
Conservatory Orchestra |
pp. 40, 92, 95, 146, 147, 167, 272 |
New Haven Symphony Orchestra |
p.111 |
NEC at Pops |
p.184 |
NEC - Orfeo / Brahms Concerts |
p.225 |
NEC - Chamber Orchestra |
pp.232, 233 |
Reviews – Lois Porter Performances |
p.138 |
Reviews - Porter / Porter Performances |
|
| |
|
Musical Moments |
p. 216 |
Local Artists Please Audience |
p. 269 |
Correspondence |
|
| |
|
N.A.A.C.C announcement |
pp.93-94 |
? of Stanford University |
p.130 |
Bob [Delaney?] |
p.148 |
Paul Creston, telegram |
p.149 |
Dick (Marcel Dick) ; Mrs. Payment; Lois |
p.158 |
F.L.? or J. L.? |
p.162 |
To Wallace Goodrich from Frank Laird Waller re: Porter’s 6th Quartet |
p.164 |
Charles Boyden, Secretary – NEC Trustees (Porter elected to Board) |
p.182 |
Claire R. Reis, The League of Composers |
p.217 |
Paul A. Pisk |
pp.222-223 |
Hallil ? |
pp.248-249 |
Louise Burr Polk |
p.252 |
Nelson M Jansky of C.C. Birchard & Co. |
p.264 |
John Barrows, note |
p.272 |
Maurice Hewitt |
pp.280-281 |
Newspaper articles – mentioning/about Porter |
|
| |
|
Cleveland Has Proof of High Musical Rank |
p.3 |
Masterworks - String Quartet No. 3 |
pp.9-12 |
Funny Faculty Commit Glory in Spain's Name |
p.24 |
Yaddo –(American Music Festival) |
p.25 |
Are There American Composers? |
pp.26-27 |
Yale Composers / Religious Trend at Yaddo |
p.28 |
Quincy Porter Work to be Heard Here |
p.58 |
Quincy Porter to Appear… |
p.109 |
Local Artists Give New Haven Events |
p.128 |
Stradivarius Quartet |
p.141 |
Yaddo's Music Period, etc. |
pp.210-216 |
Quincy Porter…American Music Society |
p.227 |
French Newspaper Clipping |
p.247 |
A Glance At Native Scores |
p.271 |
Quincy Porter…Outstanding Composers; US Composer wins triumph in WPA Concert |
pp.273-275 |
Composers Organize |
p.279 |
Westminster Commencement |
p.279 |
Annals of American Music…Yale Composers |
p.298 |
Newspaper articles about Lois Porter |
|
| |
|
Eight Appointed to Vassar Faculty - Article |
p.270 |
Miscellaneous relating to Porter |
|
| |
|
Program Data for Radio Broadcast |
p.19 |
Picture – New Students at New England Conservatory |
p.29 |
NBC / NEC Broadcast Notes |
p.59 |
Annual Bulletin - National Association for American Composers and Conductors : Board of Directors / Co-Operating Composer and Conductor |
p. 78 of 68-91 |
Yaddo Music Group - Four Concerts |
pp.200-209 |
Founder's Day Program at Vassar |
pp.240-246 |
Miscellaneous - Other |
|
| |
|
Notes on the Musick – at Colonial Williamsburg |
p. 2 |
The Bennington Festival program |
pp.185-193 |
Martha Graham and Dance Group program |
pp.194-199 |
Flyer for exhibition: Painting – Lithography- Sculpture |
p. 209 |
Yaddo’s Music Period, articles |
pp. 211-215 |
Can you take it: evening of new art at Vassar
|
pp. 250-251 |
Article on American music |
p. 272 |
Scrapbook 8: New England Conservatory (1941-1943)
Concert Programs - Porter Compositions |
Page Number(s) |
| |
|
Dance in Three-Time |
pp.23-26. 36-38 |
Poem and Dance |
pp.6, 8 |
Sonata for Piano |
pp.12, 95-97 |
Sonata for Violin and Piano No.2 |
pp.30-32, 94, 101-104 |
String Quartet No. 3 |
p.10 |
String Quartet No. 5 |
p.63 |
Suite for Viola Alone |
pp.122-127 |
Toccata for Organ |
pp.58-61 |
Toccata in A minor |
pp.69-72 |
Concert Programs - Porter Conducting |
|
| |
|
'Seventh Concert' |
p.6 (Guest) |
NEC Night - Pops |
p.7 (Guest) |
NEC Night (1940) |
p.8 (Guest) |
NEC – Orfeo, concert version |
pp.13-22 |
NEC - Chamber Orchestra |
pp.23-26, 36-38 |
NEC Orchestra – Thirteenth Concert on the James C. Sawyer Foundation |
pp.33-35 |
NEC Chamber Music - Under Direction of Porter… |
pp.117-120 |
Concert Programs – Lois Porter performances |
|
| |
|
Program - For The Benefit of Ginling College |
pp.28, 121 |
Programme for an Informal Series if Concerts for Harpsichord & Violin by Ralph Kirkpatrick, Williamsburg, VA |
pp.50-52 |
Porter’s 2nd Sonata for violin and piano |
p. 94 |
Other Programs |
|
| |
|
Program by Milhaud, Chilton Club |
p. 11 |
Reviews/Citations - Porter Compositions |
|
| |
|
Dance in Three-Time |
pp. 53, 54 |
First Symphony (Russia to receive) |
pp.65-66 |
Music For Strings |
p.68 |
String Quartet No. 5 |
pp.63, 64 |
Ukrainian Suite for String Orchestra |
pp.62, 67 |
Reviews/articles – Porter Conducting |
|
| |
|
NEC Night at Pops |
pp. 9, 68 |
Monteverdi’s Orfeo at NEC |
p. 27 |
NEC Chamber Orchestra concert of American music |
pp. 53, 54 |
NEC Orchestra |
pp. 55-56, 65-66
|
NEC Chamber orchestra |
pp. 117-120 |
Reviews/articles – Porter performances |
|
| |
|
Boston String Quartet |
p.11, 63 |
Maria Jelmar concert |
p.115 |
First Chamber Music Concert |
pp.117-120 |
Reviews/articles – Lois Porter performances |
|
| |
|
Schubert’s Minuet from the quartet for strings |
p. 129 |
Correspondence to Porter |
|
| |
|
Frederick Jacobi |
p.29 |
Herbert E.? |
p.80 |
Ildefonso Falcão, Council of Brazil |
p.81 |
Burnet C. Tuthill, Treasurer - Society for the Publication of American Music |
p.98 |
Minna Lederman, Editor - Modern Music |
p.99 |
May Rosenblatt - American Music Center |
p.100 |
Judith ? |
p.106 |
Other Articles/Materials about Porter |
|
| |
|
Music Press Editions (Catalog?), Porter’s Music for Strings |
p. 43 of pp. 39-49 |
Worcester Music Festival photo |
p.57 |
NEC Bulletin / Worcester County Scholarship, Conference On Orchestral Problems, Notes |
pp.73-79 |
NEC Bulletin / Quincy Porter, Director; Concerts and Recitals |
pp. 82-93 |
Biographical sketch in NEC Bulletin |
pp. 82-93 (86-87) |
Twenty Minutes With Native Quincy Porter |
p.130 |
Columbia Masterworks catalog (for Quartet no. 3) |
pp. 107-114 (113) |
Brown-Porter Nuptials Held |
pp. 128-129, 131 |
Miscellaneous articles |
|
| |
|
Diet and Fare Well - Article |
pp.2-5 |
Conservatory "Cuts a Rug" - Article |
p.105 |
Hero of 'Wake Island' Film…. - Article |
p.116 |
Shall We Play Music of Enemy Composers? - Article |
p. 115 |
Scrapbook 9: New England Conservatory (mostly) 1941-1943
Concert Programs – Porter Compositions |
Page Number (s) |
| |
|
Music for Antony and Cleopatra; for Experimental Theater at Vassar College |
pp. 73-76 |
Music for Strings |
pp. 2, 12, 16-19, 20 |
Poem and Dance |
pp. 24-25, 64, 68 |
Second Sonata for Violin and Piano |
pp. 26, 27, 92-95 |
The Silent Voices (Tennyson) |
p. 62 |
String Quartet no. 6 |
p. 50 |
String Quartet, not identified; in Festival of American Chamber music brochure |
p. 99 |
Ukrainian Suite |
p. 37 |
Concert Programs – Porter Conducting |
|
| |
|
WNYC Fourth American Music Festival |
pp. 24-25 |
Concert programs – Lois Porter performing |
|
| |
|
Boston Center Concert Series |
p. 27 |
Cambridge Musical Club |
p. 30 |
Violin recital at Cornell (as Lois Brown) |
p. 85 |
Chamber Music Club |
pp. 87-90 |
Concert programs – Porter/ Porter performing |
|
| |
|
Program, April 27, 1943 |
p. 9 |
NEC Orchestra concert |
p. 21 |
Mass Federation of Music Clubs |
p. 26 |
Reviews – Porter’s compositions |
|
| |
|
Piano Sonata |
p. 63 |
Poem and Dance |
p. 8 |
Quartet, not specified |
p. 86 |
Quartets, general |
p. 65 |
Second Sonata for Violin and Piano |
p. 28 |
Two moods |
p. 67 |
Reviews – Porter conducting |
|
| |
|
NEC Orchestra |
p. 8 |
Reviews – Lois Porter |
|
| |
|
Boston Center (for adult ed) concert series |
p. 28 |
Williamsburg Music Festival |
pp. 77-78 |
Concert by Lois Porter and John Crouch |
p. 84 |
Reviews – Porter/ Porter performing |
|
| |
|
With NEC Orchestra |
pp. 21-23 |
Hewitt String Quartet |
p. 65 |
Articles/materials about Porter |
|
| |
|
Yale University Alumni Bulletin |
pp. 3-6 |
Article: About Music |
p. 7
|
Porters weave music into family life |
p. 15 |
NEC Orchestra soloists rehearse with Quincy Porter (photo) |
p. 37 |
NEC Bulletin (Dec 1942) – contains biographical sketch of Porter |
pp. 38-49 |
Radio Courses of Cleveland College, WHK, December schedule |
pp. 70-72 |
Our Gracious Ladies – feature on Lois Porter |
p. 79 |
Radio programming schedule – features Porter’s Quartet no. 3 |
p. 91 |
Articles about Lois Porter |
|
| |
|
Article about Cambridge Musical Club, photo includes Lois Porter |
p. 82-83 |
Mrs Quincy Porter appointed an instructor in music |
p. 84 |
Correspondence |
|
| |
|
Sandor Salgo, Westminster Choir College |
pp. 10-11 |
Bob |
p. 13 |
Serge Koussevitzky |
p. 14 |
Hans Lange |
p. 26 |
William L. Whitney |
p. 32 |
Clifton Joseph Furness |
p. 33 |
Lawrence Fertig, US Office of War Information |
p. 51 |
Herbert? |
p. 52 |
? Schaefer? |
p. 53 |
Wallace [Goodrich] |
pp. 54-55 |
Harrison [Keller] |
pp. 56-59 |
Walter W. Naumburg |
p. 60 |
Henry Allen Moe |
p. 61 |
J.J.Hardy, Bamberger Broadcasting service |
p. 66 |
Herman Crailner? |
p. 69 |
Lillian Rosen (Parrish) |
pp. 80-81 |
To Lois from Ruth? |
p. 96 |
Miscellaneous |
|
Article: Goodrich still active in music |
p. 29 |
N.E. Conservatory Director Resigns |
p. 31 |
Excerpt from the NE Quarterly by Clifton Furness about Walt Whitman |
pp. 34-36 |
Ticket to Colonial Williamsburg performance |
p. 97 |
Scrapbook 10: New England Conservatory (mostly) 1942-1946
Concert Programs - Porter Compositions |
Page Number(s) |
| |
|
Clown Dance |
p.2 |
Dance in Three-Time |
p.27 |
Doctor Porter's Bull |
p.212 |
Fourth String Quartet |
p.35 |
Lonesome |
pp.2, 214 |
Music for Strings |
pp.2, 6, 7-8, 9-11, 22, 72, 246-252, 265-272(p. 268) |
Piano sonata |
pp. 23-26 |
Poem and Dance |
p.148-151 |
Quintet? |
p.117 |
Second Sonata (for Piano) |
p.140 |
Second Sonata for violin and Piano |
pp.15-18, 56 (Goldovsky and Luboshutz), 61, 74-76, 78, 111-114, 161-171(165), 210, 215 |
Sonata for Piano |
p.210 |
Sonata for Viola Alone |
p.130 |
String Quartet No. 3 |
pp. 98, 145-147 |
String Quartet No. 4 |
p. 35 |
String Quartet no. 5 |
p. 134 |
String Quartet no. 5 |
p. 134 |
String Quartet no. 6 |
pp. 62-63, 107, 118-121, 143, 217 |
String Quartet no. 7 |
pp. 59, 98, 100-101, 137, 173, 206-209, 217 |
String Quartet no. 7 (Coolidge medal concerts) |
pp.40-45, 44-47, 48-51, 58, , 68 |
Suite for Viola alone |
p. 130 |
Ukrainian Suite |
pp.216, 246-264 |
Concert Programs - Porter Conducting |
|
| |
|
NEC Night at Pops |
p.2, 38 |
NEC Orchestra |
pp.12, 22, 27, 29, 38? |
NEC Chamber Orchestra |
p.27 |
Concert programs - Lois Porter - Performances |
|
| |
|
Longy School Orchestra |
pp.8, 29 |
Concert under the auspices of the Beebe-Atherton Fund |
p.61 |
w/ Beveridge Webster |
p.210 |
Concert programs - Porter / Porter Performances |
|
| |
|
April 27, 1943 concert |
p. 29 |
Cambridge Collegium Musicum |
p.242 |
Reviews - Porter's Works |
|
| |
|
Dances for Radio, 4-time, 5-time |
pp.139, 160, 213 |
Music for Strings |
pp.73, 245 |
Piano Sonata |
pp.5, 25 |
Second Sonata for violin and piano |
pp.19, 20, 39, 77 |
Sonata for violin and piano |
pp.19-21 |
String Quartet no. 4 |
p.127 |
String Quartet no. 5 |
p.134 |
String Quartet no. 6 |
pp. 61, 66, 217 |
String Quartet no. 7 |
pp.52, 60, 61, 69, 138 (1st Boston performance, 144, 173, 217 |
Reviews – Porter conducting |
|
| |
|
Conservatory Orchestra |
p.28 |
Conservatory Night at Pops |
pp. 37, 139, 213 |
Orchestra? at Symphony hall |
pp.139, 160 |
Correspondence |
|
| |
|
Peggy Lines or Lims |
pp.3-4 |
Robert Tangemen |
pp.14, 17-18, |
Ann Monks - to Lois and Quincy |
pp.30-31 |
Joan B. Comstock -to Mr. And Mrs. Porter |
pp.32-34 |
Jeno Antal |
p.36 |
William Kroll |
p.53 |
Elizabeth Sprague Coolidge |
pp.54, 55 |
National Institute of Arts and Letters |
pp.57, 80 |
Morris Hochberg |
pp.64-65 |
Jacques Gordon - Eastman School of Music |
pp. 70-71 |
Arthur Fiedler |
p.104 |
Music Press Inc. - Mrs. D.K. Congdon |
p.105 |
Mrs. Wolfe Wolfinsohn |
p.106 |
From Porter to Norman Nairn, Rochester Democrat and Chronicle – Review of Howard Hanson’s 4th Symphony |
pp.108-110 |
Julius Mattfeld, CBS |
p.116 |
Carl Paige Wood |
p.122 |
Francisco Curt Lange |
p.126 |
Harold Spivacke, Library of Congress |
p.128 |
Beveridge [Webster] |
p.129 |
Doric Alviani, Mass State College |
p.131 |
Louise |
p.132 |
Richard Bales, National Gallery of Art |
p.133 |
Alan Valentine, University of Rochester |
pp.135, 221-222 |
Karl Ahrendt, Florida State College for Women |
p.141 |
Carl Bricken, University of Wisconsin |
p.142 |
Walter Heermann, College of Music of Cincinnati |
p.152 |
Fred Smith, College of Music of Cincinnati |
p.153 |
Claire R Reis?, League of Composers |
p.175 |
Glenn Dillard Gunn, Times-Herald |
p.205 |
James Lincoln Huntington - Tavern Club |
pp.218-219 |
Note to Lois from Frances {Brockman?] |
p. 213 |
Whitney Wendel |
p. 214 |
Articles about/mentioning Porter |
|
| |
|
Indiana Daily Student, The - 2/27/43 |
p.21 |
Girl Music Artists Get Locked Out |
p.28 |
Un. of Rochester to Honor Quincy Porter |
pp. 28, 174 |
Music - N.E. Conservatory at Pops (3 articles) |
p.37 |
Porter Wins Coolidge Medal |
p.39 |
Porter Awarded Medal at String Quartet concert |
pp.52, 53, 58 |
Boston Composer wins Coolidge Medal |
p. 53 |
Printing Provides Relaxation for Composer |
p. 67(photos) |
Music and Printing Blend in the Home of Gifted Composer |
p. 68 |
Porter’s review of Howard Hanson’s 4th Symphony |
pp.108-110 |
Are You Listening?.... |
p.123 |
Composers On War |
pp.124-125 |
Porter’s Commencement address (College of Music of Cincinnati ) |
pp.154-157, 158, 159, 172 |
Graduates Told to Avoid Smugness |
p.158 |
Composer to Talk to Music Grads |
p.159 |
Be Artists! |
p.172 |
Porter receives honorary degree from University of Rochester |
pp. 174, 213 |
Conservatory Pops |
p.213 |
Luncheon Is To Honor Head of Music Clubs' Federation |
pp. 239-241 |
Miscellaneous relating to Porter |
|
| |
|
Front of postcard |
pp.13, 211 |
Listing for radio broadcast of Porter’s Music for Strings (WNAC0 |
p. 22 |
List of concert sponsors |
p.26 |
Boosey and Hawkes newsletter |
pp. 79 |
Picture of three men on a panel? |
p.81-82 |
Notes - Competition Judge |
pp.92-96 |
University of Iowa Extension Bulletin, Chamber music brochure includes repertoire lists of ensembles |
pp. 83-86 |
WNYC American Music Festival broadcast schedule (1942) |
pp. 88-91 |
WNYC American Music Festival broadcast schedule (1944) |
pp. 97-101 |
Pernel and Simonds Concert Series brochure |
pp.111-114 |
League of Composers brochure and Membership Form |
p.115 |
NJ Chamber music society news |
p. 117 |
Two Music Week Broadcasts, WMEX |
p. 210 |
Procedure for the Award of Honorary degree – University of Rochester |
p. 220 |
University of Rochester Commencement program, 1944 |
pp.223-237 |
First page of score for Porter’s Quintet for flute and strings |
p.243 |
Complete Repertory of the Eastman Orchestra, 1922-1946 |
pp. 253-264 (Porter on p. 261) |
Ceremonial - The American Academy of Arts and Letters & The National Institute of Arts and Letters |
pp.265-272 |
Citation - for honorary degree (U of Rochester, Eastman) |
p.273 |
Miscellaneous - Other |
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Article about Bernard de Voto |
p. 19 |
Composers retort courteous |
p. 87 |
Audition scores and comments |
pp. 92-96 |
Article - Looking Backward |
pp.102-103 |
"For Instance" |
p.115 |
Article: Much New Music of Real Importance Inspired by War |
p. 144 |
Picture - Cincinnati Times-Star |
p.158 |
Annual Bulletin - National Association for American Composers and Conductors |
pp.176-204 |
Correspondence - Whitney Wendel to Unknown |
p.214 |
Directions for University of Rochester Commencement |
p.220 |
Un. of Rochester Ninety-fourth Annual Commencement - Program |
p.223-238 |
Complete Repertory of the Eastman Orchestra, 1922-1946 |
pp. 253-264 |
The Academy of Arts and Letters and the National Institute of Arts and Letters Ceremonial program |
pp. 265-272 |
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