Steve Reich is the 2009 Pulitzer Prize winner in music for his Double Sextet. During November 2007, Reich's music was the subject of two evenings of double concerts at New England Conservatory, with the composer in residence for rehearsals and discussions with students and audience members. Standing-room-only audiences experienced phase-shifting and other minimalist delights from Reich’s deliciously complex and musically intense compositions that climax in hypnotic layers of repetition.
The following is a chronological list of works performed at NEC during Reich's residency:
1967 Piano Phase
1967 Violin Phase
1970-1971 Drumming
1973 Six Pianos
1974-1976 Music for Eighteen Musicians
1988, orch. 2000 Different Trains
1995/2005 City Life Boston premiere
1998 Triple Quartet
2006 Daniel Variations Boston premiere
These works were performed by: Stephen Drury and Yukiko Takagi, the Borromeo String Quartet, nec shivaree, Callithumpian Consort, NEC Philharmonia, NEC Wind Ensemble, and soloists Emily Quane, Sheena Ramirez, Jonathan Reed, and Alex Powell.
Dates of Reich concerts at NEC in 2007
November 28: Piano Phase, Different Trains, Six Pianos, Music for Eighteen Musicians
November 29: Drumming, Violin Phase, Triple Quartet, City Life (Boston premiere), Daniel Variations (Boston premiere)
As a visitor to NEC's Firestone Library of audio materials, you may listen to these concerts and other recordings of unique NEC performances.
About Steve Reich
Steve Reich sits among a group of great American minimalist composers that includes Terry Riley, Philip Glass, and La Monte Young. Minimalism’s emphasis on accessibility and periodic rhythm draws admiration from pop music lovers, while its ravishing sonorities attract the attention of serious classical music fans.
Steve Reich’s earliest works for tape from the 1960s, It's Gonna Rain and Come Out, introduced his idea of phase-shifting, which is the act of allowing two nearly identical phrases or sound samples at slightly differing lengths or speeds to repeat and slowly go out of phase with each other. Phase-shifting is the equivalent of today’s looping technique that DJs and electronic music artists use to create musical landscapes on their laptops. Sample a bit of percussion from wherever your inspiration is drawn, set the loop to playback a numerous (or infinite) amount of times, and you’ve got yourself a virtual drummer, with thanks to the early ingenuity of Steve Reich’s compositional techniques. His early tape works utilized the human voice to this effect, and was further expanded upon with “real” instruments in works such as Piano Phase, Violin Phase, and Drumming. Live, phasing is obviously more difficult to reproduce versus the workings of a tape machine--but NEC’s players have taken up the challenge of working together in unison to recreate the actions of such a machine. These live performances create layers of melodic percussion that have the power to engulf the concert hall in colorful rhythms and tones.
Additional links of note:
Watch NEC students rehearse Music for Eighteen Musicians
Watch a six-part documentary of Steve Reich on YouTube
Stream a Steve Reich at UC Berkeley performance from 1970
Listen to Reich's 70th birthday concert at the Whitney Museum
Listen to an excerpt of Music for Eighteen Musicians on stevereich.com
Watch video of Clapping Music and Niebelung Zeppelin on stevereich.com